Anarchism and art

The political roots of Šklovskij’s concept of estrangement

Autor/innen

  • Erik Martin Europa-Universität Viadrina Frankfurt (Oder)
  • Annette Werberger Europa-Universität Viadrina Frankfurt (Oder)

Schlagworte:

Šklovskij, formalism, avant-garde, anarchy, Tolstoj

Abstract

The aim of this article is to outline some connections between Šklovskij’s theory of estrangement (ostranenie) and certain anarchist ideas of the 19th century. At first glance this purpose might seem rather far-fetched. However, we will argue that the excessive use of quotations from Tolstoj that Šklovskij makes in his seminal work on estrangement – namely Art as Device (Iskusstvo kak priem, 1917) – is more than a mere coincidence. Via Tolstoj, Šklovskij could have received important anarchist ideas on the non-representational (or non-mimetic) character of art, which to a certain degree might have prefigured some corresponding concepts of the avant-garde movements.

In order to illustrate this outlined connection, we will proceed in two steps. Firstly, we will recapitulate some well-known ideas on certain anarchist traits of the avant-garde, especially regarding the way aesthetic and political questions seem to merge in its anarchist praxis. Secondly, we will trace back the connection between estrangement and anti-representation in the ethics and aesthetics of anarchism in the 19th century, especially via Šklovskij’s reading of Tolstoj.

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Veröffentlicht

02.12.2020

Zitationsvorschlag

Martin, Erik & Werberger, Annette. 2020. Anarchism and art: The political roots of Šklovskij’s concept of estrangement. Die Welt der Slaven: Internationale Halbjahresschrift für Slavistik. Wiesbaden 66(1). 130–140.

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